Shannon Alonzo

We’ve darned the same cloth

Shannon Alonzo
2020
16.5” x 23.5”
Pencil on Paper

 

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To dust I shall return

Shannon Alonzo
2020
16.5” x 23.5”
Pencil on Paper

 

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Rhizome

Shannon Alonzo
2020
16.5” x 23.5”
Pencil on Paper

 

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Shannon Alonzo

Trinidadian interdisciplinary artist Shannon Alonzo has been working in the creative industries since 2011, within a variety of roles from visual art to production design. Her project collaborations include work with design house Meiling Inc and  production design for feature films ‘Play the Devil’ and ‘Moving Parts’. Her artistic practice explores themes of collective belonging, place attachment and the significance of carnival ritual to the Caribbean consciousness. In August 2019, Alonzo exhibited an ongoing body of work entitled ‘IMPRINT’ at The Loftt Gallery in Port of Spain. In 2020 she was shortlisted for the Ashurst Emerging Artist Prize and was awarded grants from the 125 Fund and CATAPULT Caribbean Artist Showcase. In the same year, she undertook an artist residency at Alice Yard Project Space, Port of Spain and has recently completed a Masters of Research in Creative Practice, at the University of Westminster, U.K. 

ARTist Statement

Writing excerpt on Place Attachment and Collective Belonging 

“In many ways, the relationship between a land and its inhabitants can be seen as analogous to that of a torrid love affair. Intertwined, we grow sometimes symbiotically, but often at odds with one another. The land we choose to call home, (whatever nation or state this may be), has compressed between the layers of its bedrock, the genetic code of our history, our collective experience. This physical entity (and indeed our ongoing dialogue with it) then emerges as the dynamic narrator of our cultural identity. My desire to unpack these ideas through my practice has evolved over several years of cyclical movement between the UK (an adopted ancestral cradle) and Trinidad (my birthplace). Despite significant periods dislocated from it, the roots of the latter landscape have become enmeshed in my consciousness, binding my sense of self to the topography, culture and incorporeal essence of this nation”