Featuring works by:
Shannon Alonzo
Felisha Carénage
Giorvana Hadeed
Ryan Huggins
Simone Kennedy Doig
Stanton Taylor
Rodell Warner
Curated by Dr. Marsha Pearce
Stanton Taylor
2025
16 1/2 x 11 3/4 inches
Laser prints, spray paint, acrylic binder, graphite, pencil, pen, ink and markers on paper
Rodell Warner
2026
20 minutes 0 seconds loop
Limited edition of three intimate framed objects framed video prints available
Shannon Alonzo (b. 1988, Trinidad and Tobago) is an
interdisciplinary artist focusing primarily on drawing, installation,
sculpture and performance. Her practice explores themes of
collective belonging, place attachment and the significance of
carnival ritual to the Caribbean consciousness. She holds a BA from
London College of Fashion and MRes Creative Practice from the
University of Westminster.
In 2025, Shannon presented both sculptural and performance works
at the Weltmuseum in Vienna and was invited to lead a series
of workshops through the::sense::archive at Haverford College,
Philadelphia. In 2024, she was commissioned to present work
at Prospect 6 in New Orleans and participated in the exhibition
Hard Graft at the Wellcome Collection in London. In 2023, she was
the recipient of an Artist Fellowship from the Caribbean Cultural
Institute of the Pérez Art Museum Miami and has exhibited work at
the Liverpool Biennial 2023, Documenta Fifteen in Germany, Ambika
P3 and London Gallery West in the U.K, Alice Yard, Y Art Gallery, and
LOFTT Gallery in Trinidad & Tobago and the Atlantic World Art Fair
on Artsy.
Ryan Huggins (b. 1991, Trinidad and Tobago) reconstructs from
memory what often remains hidden from the dominant public gaze.
His oil paintings stem from meticulous observation and hours of
research conducted in real, existing places within the artist’s urban
surroundings, such as bars, clubs, or swimming pools. Ryan is a
graduate of the Kunstakademie Düsseldorf (2023), and the visual
arts Bachelor’s Degree programme at The University of the West
Indies, St. Augustine Campus (2016). In 2025, he held two solo
exhibitions: Call Boys, Pimps & Dealers and This is Life, in Cologne
Germany and New York City, U.S.A., with Galerie Khoshbakht. In
2024, his exhibition PLUTO opened at a. SQUIRE in London. He
has participated in several two-person and group shows, including
Djerba in Lisbon Portugal and Running: The New Contemporary at
Qingdao Art Museum, China. Ryan lives and works in Berlin.
Giorvana Hadeed (b. 1999, Trinidad and Tobago) is an artist based
between Trinidad and London. She works primarily with etching,
sculpture and installation. Her practice explores ideas related to
the sea, landscapes, and the Caribbean. Responding to the allure
of metal, her work takes shape through methods of mapping and
circularity. She holds a BA from Goldsmiths, University of London.
She has exhibited work at Ruby Cruel in London, U.K., and at Alice
Yard and Y Art Gallery in Trinidad & Tobago.
photo by Marlon Rouse
Simone Kennedy Doig (b. 1994, United Kingdom) draws on her
hybrid identity and memories, as a consequence of migration, to
compose her paintings. She was raised in Trinidad and continually
travels back and forth between London and Port of Spain. Her
compositions reflect her experiences, both immediate and
remembered. Simone received her BFA from the Slade School of Fine
Art in 2017. In 2025, she held her first solo exhibition in Asia, titled
Far From Home, at Pond Society Shanghai. Other solo shows include
The Visitor at Tanya Leighton Gallery, Berlin, Germany (2023),
and Waist Deep at Baert Gallery, Los Angeles (2022). Her works
have been featured in numerous group exhibitions, including the
renowned international art fairs Art Basel Switzerland (2023) and
Frieze London (2024). Simone lives and works in London.
photo by Ebony Talijancich
Stanton Taylor (b. 1990, Trinidad and Tobago) is an artist and
writer based in Berlin. He studied at the Kunstakademie Düsseldorf
from 2010–2020 and was a participant of the Berlin Program for
Artists from 2024–2025. His solo work and collaboration with Tobias
Hohn have recently been exhibited at Galerie Max Mayer, Berlin
(2026); Galerie Khoshbakht, New York (2025); Bonner Kunstverein
(2025); KW Berlin and Kunstraum Mitte (2025); Baader-Meinhof,
Omaha (2024); Alte Tankstelle Deutz, Cologne (2023); Salon Roberta,
Cologne (2023); and Kunstverein für die Rheinlande und Westfalen,
Düsseldorf (2022). In March 2026, Hohn and Taylor will present new
work at Museum Kurhaus, Kleve.
Felisha Carénage (b. 1986, Trinidad and Tobago) uses painting and
performance, through the lens of the carnivalesque, to explore the
ethics of empire in her lived, transatlantic experiences. Architectural,
legal and literary tropes guide this work. Carénage’s projects have
been presented at MARKK and the Museum of Applied Arts in
Hamburg, Ruby Cruel in London, and daadgalerie, Dekoloniale and
SAVVY Contemporary in Berlin. Recent commissions were shown at
KW Institute for Contemporary Art, Berlin and Van Abbe Museum
in the Netherlands. A citizen of Trinidad & Tobago, she is currently
resident in London and Berlin.
Rodell Warner (b. 1986, Trinidad and Tobago) works primarily
in new media and photography. Rooted in the exploration of race,
nature, and technologies of representation, Rodell’s artworks draw
on personal and institutional archives to rethink the past, and on
digital processes to index emancipatory futures. Rodell’s ongoing
animated digital interventions in early Caribbean photography
have been featured in several exhibitions, including Fragments
of Epic Memory at the Art Gallery of Ontario in 2022, and the
solo exhibition Fictions More Precious, part of the Tito’s Prize,
which Rodell was awarded in Austin, Texas, in 2024. One of these
works, Artificial Archive, was recognised with an honorary mention
at the Prix Ars Electronica in 2025.
In 2025, Rodell’s first solo museum exhibition, Rodell Warner +
Audubon + His Journals, was mounted at the Jule Collins Smith
Museum of Fine Art. The Trinidad and Tobago Film Festival recently
installed Rodell’s Las’ Lap / Afterlife, an immersive web-based
presentation of archival materials related to the nation’s media
history and carnival tradition, and a live performance concerned with
memory and collective reflection commissioned for the festival’s
2025 New Media programme. Rodell has lived and worked between
Port of Spain (Trinidad), Kingston (Jamaica), and Austin (Texas), and
is currently based in Boston, Massachusetts.
