Christopher Cozier

Occupation and Process . Selected Works
19 March - 7 April 2018
MORE TIE-UP

Christopher Cozier 
2015
44 x 30”
Ink on Paper 

TIE-UP THINGS

Christopher Cozier 
2015
44 x 30”
Ink on Paper 

From the Entanglements Series produced in Port of Spain, 2015, “Strange and Unfamiliar Garden Creatures … Leaving the frame as quickly as they appear”

DARK CIRCLES, STUDY

Christopher Cozier 
2015
50 x 38”
Ink & graphite on paper 

Produced at Cannonball Residency in preparation for Dark Circles Installation at the Betsy Hotel, Miami Art Basil, 2015.

MORE TIE-UP

Christopher Cozier 
2015
44 x 30”
Ink on Paper 

TIE-UP THINGS

Christopher Cozier 
2015
44 x 30”
Ink on Paper 

From the Entanglements Series produced in Port of Spain, 2015, “Strange and Unfamiliar Garden Creatures … Leaving the frame as quickly as they appear”

DEVELOPMENT BLOCKS 3

Christopher Cozier 
2018 
42 x 32”
Mixed Media on Paper 

DEVELOPMENT BLOCKS 1

Christopher Cozier 
2018 
42 x 32”
Mixed Media on Paper 

DEVELOPMENT BLOCKS 7

Christopher Cozier 
2018 
42 x 32”
Mixed Media on Paper 

DEVELOPMENT BLOCKS 2

Christopher Cozier 
2018 
42 x 32”
Mixed Media on Paper 

Christopher Cozier

Christopher Cozier is an artist, living and working in Trinidad and a co-director of Alice Yard, a collective, which will be participating in Documenta 15. 
He was awarded a Pollock-Krasner Foundation Grant in 2004 and is a Prince Claus Award laureate, 2013.
Through his notebook drawings to installations derived from recorded staged actions, Cozier investigates how Caribbean historical and current experiences can inform understandings of the wider contemporary world.
Exhibitions include the 5th & 7th Havana Biennials, Infinite Island, The Brooklyn Museum, (2007) Afro Modern: Journeys through the Black Atlantic (2010), TATE Liverpool,   Entanglements at the Broad Museum, Michigan 2015. Relational Undercurrents at MOLAA. L.A. (2017) and The Sea is History, Historiskmuseum, Oslo, 2019. Cozier participated in the public program of 10th Berlin Biennial, 2018, exhibited in the 14th Sharjah Biennial in 2019 ,  the 11th Liverpool Biennial in 2021, Industrial Art Biennial, Croatia, 2020 and currently in Más Allá, el Mar Canta (Beyond, the Sea Sings) at the Times Art Center, Berlin, as well as Fragments of Epic Memory at the AGO ( Art Gallery of  Ontario) and Experiences of Oil at the Stavanger Museum, Norway.

Artist Statement

For the last few years I have been trying to find a way to bring my work and ideas back home to share with others who have maybe been struggling to cope or understand what living in a space like this may be about as a creative individual rather than an electoral commodity or unit of labour or consumption.

This is my occupation- my process. I want to or would like to … occupy this gallery space, one associated not so much with investigation, but exchange with my process … so investigations from various bodies or series – ongoing will be presented. Occupation as process. Process as occupation.