Y December 2024

Selected Works
December 1st, 2024

 

Y December continues until December 21st

 

Featured artists:

Barbara Jardine

Brianna McCarthy

Che Lovelace

Christopher Cozier

Edward Bowen

Giorvana Hadeed

Irénée Shaw

Janice Derrick

Jasmine Thomas-Girvan

Kenwyn Crichlow

Mairi Millar

Marlon Darbeau 

Richard Hubbard

Roberta Stoddart

Susan Dayal

Wendy Nanan

 
Shelled Pink

Roberta Stoddart 
2024
11 ½ x 10 inches
Oil on hardboard

 

Lemon Tea

Roberta Stoddart 
2023 
9 x 9 inches
Oil on Hardboard

On The Couch

Roberta Stoddart
2024
16 x 14 inches
Oil on hardboard

Plastered Red

Roberta Stoddart 
2024
11 x 9 inches
Oil on hardboard

Gyre

Giorvana Hadeed

2024

15 x 22 1/2 inches

Etching with hard ground, soft ground and aquatint on paper

Limited Edition of 25

Woman in Copper

Susan Dayal

2024

28 inches (h) 11 3/8 x 11 3/8” (base)

Copper wire and tubing, teak and greenheart

Avalokitesvara

Wendy Nanan
2022
Mixed media
Sculpture

Boy with Umbrella

Wendy Nanan
2024
30 1/4 x 24 1/4″
Mixed media on paper 

Boy with Flowers

Wendy Nanan

2024

17 x 14 inches

Pastel, pencil, acrylic on paper

Place of work- object - side table - from Attack of the Sandwichmen installation at A Space Toronto

Christopher Cozier 

2004

14 x 19 3/4 inches

Mixed media on paper

Note on/from the Place of work - from Attack of the Sandwichmen installation at A Space Toronto

Christopher Cozier

2004

19 1/2 x 14 inches

Mixed media on paper

Place of work - all eyes on deck - from Attack of the Sandwichmen installation at A Space Toronto

Christopher Cozier 

2004

14 x 20 inches

Mixed media on paper

From my Parent’s Home Study from Migrate or Medal/ Meddle series

Christopher Cozier 

1995

8 1/4 x 11 inches

Mixed media note book sketch

All eyes on deck from the Art and Nation -Things you must learn from day 1

Christopher Cozier

1997

Mixed media on paper

Bask-it

Marlon Darbeau 

2024

Limited edition of 8 

This Way

Irénée Shaw

2024

 

Perch

Edward Bowen
Graphite and ink on silk screen print on archival paper
20 x 27 inches

Redman Contemplating Celestial Matters

Edward Bowen

2020- 2024

36 x 48 inches

Acrylic on canvas

Altared Ring, II

Mairi Millar

Sterling silver, smoky quartz, beetle elytra, resin, individual fly

Elytra Rings

Mairi Millar

Sterling silver, Beetle Elytra

3-Fly Procession earrings

Mairi Millar

Sterling silver

Studio View with Hendricks and Onion Lilies

Che Lovelace

2024

14 ½ x 12 ½ inches

Acrylic and dry pigment on board panel

Studio Objects with Plant

Che Lovelace

2024

14 ½ x 12 ½ inches

Acrylic and dry pigment on board panel

Composition With Two Coconuts

Che Lovelace

2024

14 ½ x 12 ½ inches

Acrylic and dry pigment on board panel

Studio Interior with Vintage Rum Bottle

Che Lovelace

2024

12 ½ x 14 ½ inches

Acrylic and dry pigment on board panel

Bottles in Blue

Che Lovelace

2024

12 ½ x 14 ½ inches

Acrylic and dry pigment on board panel

Chac-chacs in Yellow Light

Che Lovelace

2024

12 ½ x 14 ½ inches

Acrylic and dry pigment on board panel

Sapodilla Bowl

Richard Hubbard

Sapodilla wood
2024

Saman Bowl I

Richard Hubbard

Saman wood
2024

Saman Bowl II

Richard Hubbard

Saman wood
2024

Moonstone, Lapis, Labradorite and silver necklace

Janice Derrick 

2024

Sterling silver, oxidised silver and plain bangles

Janice Derrick 

2024

Howlite, Black Onyx, Red Jasper and silver necklace

Janice Derrick 

2024

Labradorite, Amazonite, Turquoise, Lapis and silver necklace

Janice Derrick 

2024

Sterling silver, oxidised silver and plain rings

Janice Derrick 

2024

Amethyst, Moonstone, Lapis and silver necklace

Janice Derrick 

2024

Evening under the madera

Brianna McCarthy

2024

11 1/4 x 11 1/4 inches

Acrylic, ink, white charcoal and metal leaf on paper

In oro oscuro

Brianna McCarthy

2024

11 1/4 x 11 1/4 inches

Acrylic, ink, white charcoaland metal leaf on paper

Presence Ring

Jasmine Thomas-Girvan

Sterling Silver, 24kt Gold plated

Sea Empress

Jasmine Thomas-Girvan

Sterling Silver, fresh water pearls, coral

Ring set

Jasmine Thomas-Girvan

Sterling Silver and 18kt gold

Earrings

Jasmine Thomas-Girvan

Sterling Silver and 18kt gold

Red Earth 2: Fierce

Kenwyn Crichlow

2024
30 1/4 x 36 inches
Oil on canvas

Red Earth 1: Hosanna

Kenwyn Crichlow

2024
30 1/4 x 36 inches
Oil on canvas

Sea Urchins Jewelry Collection

Barbara Jardine

18. HOOP EARRINGS: silver & gold urchins w/14cl, silver & moonstones 

2024

Sea Urchins Jewelry Collection

Barbara Jardine

15. HOOP EARRINGS: gold urchins /gold-filled metal & 14ct details

2024

Sea Urchins Jewelry Collection

Barbara Jardine

5. HOOP EARRINGS: silver & aqua urchin w/silver & blue topaz

2024

Sea Urchins Jewelry Collection

Barbara Jardine

9. HOOK EARRINGS: silver & blue urchins w/ silver & moonstones

2024

Sea Urchins Jewelry Collection

Barbara Jardine

7. HOOK EARRINGS: silver urchins w/silver a pale blue topaz 

2024

Sea Urchins Jewelry Collection

Barbara Jardine

18. HOOP EARRINGS: silver & gold urchins w/14cl, silver & moonstones (sold) 

19. PENDANT & CHAIN: silver & gold urchin w/14ct, silver & moonstone . (available)

2024

Sea Urchins Jewelry Collection

Barbara Jardine

20. NECKLACE: 18″ freshwater pearls w/urchin, 14ct and moonstone clasp

2024

Irénée Shaw

Born: 1963, Port of Spain, Trinidad & Tobago. Irénée Shaw is an artist living and working in Trinidad. A figurative painter, the artist has shown her work locally and internationally since her return from study in the United States in 1988. Shaw has done numerous commissions in the Caribbean and also Germany. Most notably the CLICO “Pioneers of the Caribbean” calendar series in 1995. She has  participated in the Big River International Workshop,  the Santo Domingo Biennial, the Biennial of Cuenca and co-curated Lips Sticks and Marks – an exhibition of contemporary women artists and was a resident at the Vermont Studio Center in 2002. Shaw has taught art at Holy Name Convent, Port of Spain, since 2003

 

Image by Shaun Ramburan 

Edward Bowen

Born 1963, Eddie Bowen studied at Croydon College, UK from 1981-1985. He has since been living and working in Trinidad, often letting his environment in San Souci, be his muse. 

 

 

Image by Melissa Miller 

VIDEO NTERVIEW

Christopher Cozier

Christopher Cozier is an artist, living and working in Trinidad and a co-director of Alice Yard, a collective, which will be participating in Documenta 15. 
He was awarded a Pollock-Krasner Foundation Grant in 2004 and is a Prince Claus Award laureate, 2013.
Through his notebook drawings to installations derived from recorded staged actions, Cozier investigates how Caribbean historical and current experiences can inform understandings of the wider contemporary world.
Exhibitions include the 5th & 7th Havana Biennials, Infinite Island, The Brooklyn Museum, (2007) Afro Modern: Journeys through the Black Atlantic (2010), TATE Liverpool,   Entanglements at the Broad Museum, Michigan 2015. Relational Undercurrents at MOLAA. L.A. (2017) and The Sea is History, Historiskmuseum, Oslo, 2019. Cozier participated in the public program of 10th Berlin Biennial, 2018, exhibited in the 14th Sharjah Biennial in 2019 ,  the 11th Liverpool Biennial in 2021, Industrial Art Biennial, Croatia, 2020 and currently in Más Allá, el Mar Canta (Beyond, the Sea Sings) at the Times Art Center, Berlin, as well as Fragments of Epic Memory at the AGO ( Art Gallery of  Ontario) and Experiences of Oil at the Stavanger Museum, Norway.

 

Image by Melissa Miller 

VIDEO INTERVIEW

Janice Derrick

Born in Trinidad in 1972, Janice migrated to England at the age of sixteen. In 1996 she graduated with a BA (Hons) in Silversmithing, Jewellery and Allied Crafts from the prestigious Sir John Cass faculty at London Guildhall University. The following year Janice received a Clerkenwell Award from the Clerkenwell Green Association to set up her studio near the heart of London’s jewellery quarter, Hatton Garden. In 2005, Janice returned to Trinidad where she continues to develop her jewellery and silversmithing practice.

Over the last twenty one years Janice has exhibited her work in Germany, France, Ireland, the US, Trinidad, Japan and across the UK. Her pieces have been featured in Vogue (UK), Harpers and Queen, World of Interiors, The Sunday Times (UK), The Guardian (UK), Retail Jeweller magazine (UK), Instyle magazine (UK), The Evening Standard(UK), Time Out London, The Newsday (Trinidad), Trinidad Express, Trinidad Lookbook, 6 Carlos (Trinidad) as well as The Rings Book (UK, 2002), 1000 Rings (US, 2004) and The Contemporary Jewelry Exchange (Denmark, 2015).

 

 

Images by Michele Jorsling

Susan Dayal

Susan Dayal was born in Trinidad in 1968. She studied Sculpture at the Duncan of Jordanstone College of Art and Design in Dundee, Scotland.

Susan makes sculpture using the technique known locally as wirebending. The female torso and the mask are recurring themes that are used to explore the imagery of Trinidad Carnival, folklore, feminism and tropical flora and fauna.

 

Image by Melissa Miller 

Giorvana Hadeed

Giorvana Hadeed (b. 1999, Port of Spain, Trinidad and Tobago) is an artist based between Trinidad and London. She works primarily with sculpture and installation. Her practice explores ideas surrounding the sea, the Caribbean, and notions of the landscape. Having a particular allure towards metal, her work takes shape through methods of mapping and circularity. She holds a BA from Goldsmiths, University of London.

 

 

Image by Melissa Miller

 

 

Kenwyn Crichlow

Kenywyn Crichlow is a practicing artist who has participated in solo exhibitions in Trinidad and Tobago and internationally from 1981 to present. Mr. Crichlow has taught at every level of the Education system in Trinidad and Tobago; primary and secondary schools, Teachers College and at the University of the West Indies. Kenwyn is also a key researcher on the history of visual arts in the Caribbean.
His paintings explore narratives of our culture and identity through vibrant, colourful compositions.

They seek to capture the full range of our experiences, and open us to the images that reside deep in the heart. 

 

Image by Melissa Miller 

Roberta Stoddart

In the earliest world when all was dark, the bat was born. Half-bird, half-beast, this liminal, mysterious and erratic creature is somehow apart or in-between, and does not fit into the normal order of things.
From the dark underworld comes the bat, ambiguous mentor of the foreboding night, gliding to its banishment with supernatural trickery, magic, witchcraft, shape-shifting, malevolence, death, destruction and decay. Re- imagined as fiction- al characters in popular culture, this nocturnal animal becomes legions of versions of the evil vampire Count Dracula and the hero Batman.
Positively aligned in some cultures with happiness, longevity and good fortune, bats also present as sacred spirits – intuitive, watchful, wakeful, and vigilant. Imag- es of bats appear in Heraldic symbols, coats of arms and State insignias.
In the beginning, human beings and all living creatures existed together in har- mony, mutual respect and inter-dependence. Then humans disregarded animals’ rights, provoking their hostility. Human beings do not share the planet with ani- mals and with nature. Instead we dominate and inflict unimaginable suffering on most life forms and on each other, resulting in climate change and an alarming number of other escalating catastrophic events.
Man’s destructive environmental, ecological and lifestyle practices coupled with his invasion of animal territories, create Monster Mergers in which viruses invade human bodies as their hosts. Deadly diseases have been unlocked – more recently the 1918 Bird Flu Influenza, HIV/Aids, Sars, Mers and Swine Influenzas. Despite being generally beneficial to our planet’s ecosystems, bats are the most likely source of the novel Coronavirus. The highly mobile, social, and long-lived bat is a natural reservoir of many pathogens and is perfectly situated to spread disease.
The great Amazon Forest, often referred to as “the Lungs of the World”, is now being plundered and stripped of its resources at breakneck speed by corrupt political practices and big business. What new and as yet unknown diseases will be unlocked from the Amazon jungle?
The world has been forcibly brought to its knees by Covid-19. Surely, this is THE “opportunity of our lifetime” to change the way we live. But will we change? Or will we continue in our self-inflicted suffering towards early extinction?

-Roberta Stoddart

Image by Abigail Hadeed 

Mairi Millar

Mairi Millar is a Trinidadian artist based in London. Her work explores the beauty of nature’s discarded and “collaborating with chance”, creating works from found natural objects. Primarily through the language of jewellery, these forgotten or “finished” objects are elevated to the state of a relic.  An eggshell is proof something emerged, a feather means something flew. These found objects are charged with an intimate vibrancy compared to the seemingly valuable materials they are set in. Her practice is an ode to the finder’s treasure; from human hair to houseflies; she does not shy away from the macabre to find beauty and hope.

Mairi is an alum of the Rhode Island School of Design (2018) and the Royal College of Art (2021). In 2021 she was awarded a residency at The Sarabande Foundation in London established by Lee Alexander McQueen.

Image by Melissa Miller

Wendy Nanan

Wendy Nanan, born Port of Spain 1955, BFA 1979,has been working and showing continuously both in Trinidad and abroad since 1986. Some of her most notable shows and imagery to enter the Trinidadian iconography are from the cricket drawings, the Banana sculptures, and the Idyllic Marriage series. The Books and Stupas show, the Baby Krishna series and more recently in 2016 the shells and pods exhibition. Considered one of Trinidad’s treasured senior fine artists her personal vision is that of the contemporary West Indian artist observing a post-colonial creolised society through the lens of a traditional East Indian background, but rooted firmly in feminist ideology.

CHE LOVELACE